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Showing posts with label Bass. Show all posts
Showing posts with label Bass. Show all posts

Saturday, October 27, 2012

It started off so well…


I can't believe it's taken me so long to get around to writing about this band, but Queen has long been one of my favorite bands. I got hooked on Queen about a decade ago after I had listened to a mix CD that included “Bohemian Rhapsody”, “Crazy Little Thing Called Love”, “We Will Rock You” and “We Are The Champions”. I’d known those songs before, but never really listened to them… and as is typical for me, after hearing a band I really like, I dive right into their music for several months.

 

After borrowing News of the World from a friend, it seemed that each week I’d run out to buy another one of their albums. So, what can I say about Queen? Queen was incredibly different. They could have wild, loud rockers one minute, and then they would have a pretty ballad the next.  Or even better, they would have some bizarre song that was filled with their British charm. John Deacon is an amazing bassist. Deacon bass lines aren’t just that thumping you tend to hear – His bass lines were melodic and beautiful – And he wrote some of the biggest Queen hits. Roger Taylor can totally rock out on the drums and watching him behind a ridiculously huge set, and know exactly where he’s going… It’s pretty impressive. (And it’s because of him that I mastered the drumstick twirl!) Not to mention he can sing higher than me! Brian May is my favorite member… (I think I’ve already mentioned my “thing” for guitarists). Brian is an extraordinary guitarist and the way he used guitars as other instruments – Well, I’ve never heard another musician able to orchestrate a choir of guitars the way Brian can. And Freddie? Jeez, he’s one of the most charismatic front mans ever. He wasn’t much to look at, but that voice! So powerful which such a fantastic range… And he had a distinctive style on the piano as well. And he’s written some of rock and roll’s most complex songs.

 

My favorite album may be The Game – though, that’s not to say I don’t dig their other albums. Honestly, every album of theirs (particularly the earlier albums) have tons of noteworthy songs. I know that to some The Game marks the beginning of the end for Queen. It’s Queen’s first pop album and is the first of Queen’s albums that doesn’t boast the use of no synthesizers. In fact, the first sound of the album is a synthesizer. So, the album may lack the depth of Queen’s preceding albums and lack the edge of News of the World, but it doesn’t make it a bad album. “Play The Game” is a fantastic showcase for Freddie’s amazing vocals. “Another One Bites The Dust” is quite a departure for the band and for the writer of the song – John Deacon – successfully crossing over into the funk genre. Brian’s heavy “Dragon Attack” and John’s catchy “I Need Your Loving Tonight” are both great tunes. And “Crazy Little Thing Called Love” is a lovely little rockabilly tribute to Elvis with a great Brian May guitar solo played on a Fender Telecaster instead of his usual “Red Special”.

 

Brian wrote two absolutely gorgeous ballads on this album as well – “Sail Away Sweet Sister” is by far my most played Queen song. I love Brian’s vocals and amazing guitar solo – and Freddie’s vocals on the bridge tend to blow me away. (How does he hit that note?!) “Save Me” is the other ballad – and it has another killer guitar solo. And Freddie’s vocals are, of course, perfect. It builds up to a poignant climax flawlessly with its catchy and heartfelt chorus. While it may not be groundbreaking, it doesn’t detract from the beauty of the song. It’s a lovely and strong closer to the album.

 

So… I suppose that’s about all I’ve got to say about Queen for now, but be prepared for me to revisit the subject somewhere down the line.

Saturday, September 15, 2012

Don't let 'em tell you what you wanna be....

What can I say about Paul McCartney that hasn’t already been written somewhere? Probably not too much, but I’m gonna try.

 
Paul McCartney is my favorite Beatle. I think it was the White Album picture that officially hooked me. I remember after I had gotten The White Album while I was in high school, I was laying on my bedroom floor looking at the photos included with that album. I remember looking at that picture of Paul (you know the one) and thinking, “Okay yeah, he’s pretty good looking.” Of course, there’s much more to Paul McCartney than a pretty face. He is an amazingly talented musician, songwriter, entertainer… I mean, how many people have written such a vast amount of songs that basically everyone knows? I can tell you, there aren’t that many songwriters you can say that about. His voice is so extraordinary – it’s distinctive, but so versatile at the same time. It’s pretty amazing that he could sing “Here, There and Everywhere” in such a sweet voice and alternatively launch into a song like “Lady Madonna” or “Helter Skelter”. There was a time when I didn’t realize the same person sang those songs! And as a musician – his bass lines were always melodic and distinct, he played some pretty awesome guitar solos, he can rock on the piano, and can even hold his own on the drums.
 

Anyhow, I’ve recently had the good fortune to get tickets to see Paul McCartney in concert – again! I’ve been lucky enough to have seen him twice before. In fact, my first real concert was to see Paul McCartney. Let me tell you, that was an amazing experience. I was able to see him towards the height of my Beatlemania – with my best Beatle friend – and it was the most incredible concert I’ve ever been to. Even the second time I saw him couldn’t compare. Also, up until that concert, I really couldn’t understand the girls during the ‘60s screaming and carrying on the way they did when they saw the Fab Four. And while I still don’t completely understand the logic of screaming during the performance of a song (how can you hear it if you’re screaming?), I do understand the involuntary emotional response that happens being so near such a magnetic and charismatic presence. I’ve never been a very scream-y person, but at the beginning and ending of each song, the excitement just is too much to keep bottled up.
 

Since I found out I’m going to see Paul again, I’ve dug up all of my Paul-related CDs and have been listening to him and The Beatles almost exclusively. This is something I haven’t done for about 7 or 8 years. It’s been interesting and amazingly, despite the fact that I know all of this music so well, it still triggers that emotional response in me. Giddiness, exhilaration, and a bit of wonder at the awesomeness of the songs.
 

I think my favorite Paul album post-Beatles is Ram. “Too Many People” has been one of the songs I’ve been constantly going back to this week. I really love the song. The guitar, the drums, the way it builds… To me, it’s a pretty great way to open an album.  “Dear Boy” is another track on the album that I tend to keep going back to. I know I’ve mentioned it before, but I’m such a sucker for harmonies, and this song is saturated with them. Absolutely catchy melody, simple lyrics, and so many layers of McCartney,  that one could almost get lost in it. My favorite bit is the last 30 seconds of the song when there are all those parts going on at the same time. Oh my god! It’s almost as good as a guitar solo for me!  I also must mention the fantastic guitar riff in “Smile Away”. But really, the entire album is incredible. It’s strange for me to think that this album was actually met with a fairly poor critical reception – especially since it’s so well revered now.
 

Oh well, before I close for now, I do want to say one last thing. While I am definitely a Maccaholic, I don’t want you to think I play that stupid game of “who was better? John or Paul?” I just refuse to play that game, just as I reject any suggestion that the Beatles could have done what they did, been what they were (or are) to millions of us, without George or Ringo. They all had a very important part in the band and are all amazingly talented individuals. And like Paul said in Living In The Material World, “I always likend us [The Beatles] to four corners of a square. People say, ‘Ah, well, John and Paul were the important ones.’ But I say, ‘No, no, it’s a square.’ Without any of the four corners, you collapse.”
 

So, be prepared for more entries about “My Boys”, but until then, I’ll leave you with this: