Anyhow,
I’ve recently had the good fortune to get tickets to see Paul McCartney in
concert – again! I’ve been lucky enough to have seen him twice before. In fact,
my first real concert was to see Paul McCartney. Let me tell you, that was an
amazing experience. I was able to see him towards the height of my Beatlemania –
with my best Beatle friend – and it was the most incredible concert I’ve ever
been to. Even the second time I saw him couldn’t compare. Also, up until that
concert, I really couldn’t understand the girls during the ‘60s screaming and
carrying on the way they did when they saw the Fab Four. And while I still don’t
completely understand the logic of screaming during the performance of a song
(how can you hear it if you’re screaming?), I do understand the involuntary
emotional response that happens being so near such a magnetic and charismatic
presence. I’ve never been a very scream-y person, but at the beginning and
ending of each song, the excitement just is too much to keep bottled up.
Since
I found out I’m going to see Paul again, I’ve dug up all of my Paul-related CDs
and have been listening to him and The Beatles almost exclusively. This is
something I haven’t done for about 7 or 8 years. It’s been interesting and
amazingly, despite the fact that I know all of this music so well, it still
triggers that emotional response in me. Giddiness, exhilaration, and a bit of wonder
at the awesomeness of the songs.
I
think my favorite Paul album post-Beatles is Ram. “Too Many People” has been one of the songs I’ve been constantly
going back to this week. I really love the song. The guitar, the drums, the way it builds… To
me, it’s a pretty great way to open an album. “Dear Boy” is another track on the album that
I tend to keep going back to. I know I’ve mentioned it before, but I’m such a
sucker for harmonies, and this song is saturated with them. Absolutely catchy
melody, simple lyrics, and so many layers of McCartney, that one could almost get lost in it. My
favorite bit is the last 30 seconds of the song when there are all those parts
going on at the same time. Oh my god! It’s almost as good as a guitar solo for
me! I also must mention the fantastic
guitar riff in “Smile Away”. But really, the entire album is incredible. It’s
strange for me to think that this album was actually met with a fairly poor
critical reception – especially since it’s so well revered now.
Oh
well, before I close for now, I do want to say one last thing. While I am
definitely a Maccaholic, I don’t want you to think I play that stupid game of “who
was better? John or Paul?” I just refuse to play that game, just as I reject
any suggestion that the Beatles could have done what they did, been what they
were (or are) to millions of us, without George or Ringo. They all had a very
important part in the band and are all amazingly talented individuals. And like
Paul said in Living In The Material
World, “I always likend us [The Beatles] to four corners of a square.
People say, ‘Ah, well, John and Paul were the important ones.’ But I say, ‘No,
no, it’s a square.’ Without any of the four corners, you collapse.”
So,
be prepared for more entries about “My Boys”, but until then, I’ll leave you
with this:

